Available are:

n° 04 vintage photos printed by me in 1981, size 10×15 approx.

It is presented in a 30×40 cm paperboard double frame, with a window of about 10×15 cm:

                                                               € 200.

New Limited Edition are offered of /5  on demand (+ 01 AP) + 1 NFT.

Printed on ILFORD 18×24 cm paper from digital file.

The image size, with film perforation, is 14.5×15.5 cm, and is presented in a 30×40 cm double cardboard frame with a 10×15 cm window:

                                                               € 150.

The large  format is offered in limited edition of /3 on demand (+ 01 AP)

I suggest:

Direct 50×75 cm  print on Dibond aluminum without a frame:

                                                                € 750.

or printed   on ILFORD B/W paper mounted on aluminum Dibond, with aluminum ArtBox frame, 25 mm black profile:

                                                                € 950.

Including Italian taxes and standard shipping.
Any customs charges are the responsibility of the buyer.

Please contact me by e-mail for more details.

The digital file is obtained by photographic reproduction of backlit negative with Canon 5DS R and Laowa 90mm f/2.8 Ultra Macro lens.

Hiroshima Mon Amour  by Claudio Stringari with Gabriella Vati Tedesco – Claudio Stringari – Musical collaborator Ivo Zancolli – Concept and video Claudio Stringari

“Little Boy at 5600 m celebrates his Big Day. The old blender feels the end coming. Heena’s orgasm peaks amid screams of pleasure. “Strange too toys from another world.” The images on the video monitor suffer interference. (…) At 200 m Little Boy smells the earth. Silence. An immense glow. “I need to see more from fifth dimension.” It is August 6, 2045, 8:16 a.m.: Heena and I sit in the kitchen waiting for the new appliances. Hiroshima mon amour…                                                                                                  From the room program.

“Art is only interested in art and, if anything, in the languages related to it: in Resnais (and in Stringari) the language of mass-media, within which not differently and more and more ridiculous appear god and every demiurge, every film or theater director.”      Franco Cordelli from “Paese Sera,” Feb. 20, 1981

VIDICON was one of the most important experiences of Milano underground life in the early 1980s.
An open, self-managed space inside an squatted house in Via Correggio 18 in Milan.
A collective of young artists, in which music, video art, performance, photography, installations and events coexisted intensely during the eight months of its existence.